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Charles Faulkner Bryan plays and sings Done Caught a Rabbit, The House Carpenter, Time Enough Yet, Sourwood Mountain, Lord Loved, Go Tell Aunt Nancy, Edward, George Buck is Dead. Performed on Appalachian dulcimer (unconfirmed). Bryan introduces the songs and their origin. The recording ends with a portion of White Spiritual Symphony performed by the Cincinnati Symphony under the conductor Eugene Goosens. It was taped from a 16" transcription disc made by Station WSAI. This recording was created on May 11, 1963 by David L. Jones.
circa 1943
Image of Jensen Acoustic Tape-Type PR-1200A; acetate carrier; 7.5ips; quarter-inch; half-track; open reel tape. Reel contains Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book. Tape begins with "Singin Billy Sample Tape #2" and ends with applause. The tape continues with rehearsal/performances from Indian Springs School choir: a piano playing, big band music, and a trumpet duet Carlisle Towery and Gilmore Jennings "Blues in the Night", "Without a Song, the Day Would Never End," and ends with a performance/rehearsal of the Indian Springs School Alma Mater written by Charles Faulkner Bryan.
circa 1952
Image of Jensen Acoustic Tape-Type PR-1200A; acetate carrier; 7.5ips; 3.75ips; quarter-inch; half-track; open reel tape.
circa 1952
Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book. Reel labelled Set an Court a Pine Knot.
circa 1952
Image of Irish 211-RPA; acetate carrier; 7.5ips; quarter-inch; full-track; open reel tape. Reel contains Reel contains Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book.
circa 1952
Charles Faulkner Bryan: His Life and Works. Orchestral and choral works of Charles Faulkner Bryan.
circa 1953
Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book. Recording ends with an unknown performer singing "Johnny Has Gone for a Soldier".
circa 1952
Image of Ampex 631; polyester carrier; 7.5ips; quarter-inch; half-track; open reel tape. Charles Faulkner Bryan plays and sings Done Caught a Rabbit, The House Carpenter, Time Enough Yet, Sourwood Mountain, Lord Loved, Go Tell Aunt Nancy, Edward, George Buck is Dead. Performed on Appalachian dulcimer (unconfirmed). Bryan introduces the songs and their origin. The recording ends with a portion of White Spiritual Symphony performed by the Cincinnati Symphony under the conductor Eugene Goosens. It was taped from a 16" transcription disc made by Station WSAI. This recording was created on May 11, 1963 by David L. Jones.
circa 1943
Image of Jensen Acoustic Tape-Type PR-1200A; acetate carrier; 7.5ips; quarter-inch; full-track; open reel tape. Reel contains Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book. Reel labelled Set an Court a Pine Knot.
circa 1952
Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book. Reel labeled Jerusalem [illegible] defective recording in part.
circa 1952
Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book.
circa 1952
Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book. Tape begins with "Singin Billy Sample Tape #2" and ends with applause. The tape continues with rehearsal/performances from Indian Springs School choir: a piano playing, big band music, and a trumpet duet Carlisle Towery and Gilmore Jennings "Blues in the Night", "Without a Song, the Day Would Never End," and ends with a performance/rehearsal of the Indian Springs School Alma Mater written by Charles Faulkner Bryan.
circa 1952
Image of Reeves Soundcraft RPN-12; acetate carrier; 7.5ips; quarter-inch; full-track; open reel tape. Recording ends with an unknown performer singing "Johnny Has Gone for a Soldier". Reel reads "Begins finale Act I of Singin' Billy Rehearsal."
circa 1952
Image of Scotch; non-backcoated polyester carrier; 7.5ips; quarter-inch; half-track; open reel tape. Reel contains Charles Faulkner Bryan: His Life and Works. Orchestral and choral works of Charles Faulkner Bryan.
circa 1953
Image of Jensen Acoustic Tape-Type PR-1200A; acetate carrier; 7.5ips; 3.75ips; quarter-inch; half-track; open reel tape. Reel contains Singin' Billy: A Folk Opera was composed by Bryan and the libretto was by Donald Davidson. The folk opera was broadly based on the compiler of the Southern Harmony tune book created by William Walker, a singing school teacher, in 1835. Portions of the opera contain tunes from the Southern Harmony tune book.
circa 1952